• He wrote to a friend, “On this matter I must tell you that the numerous studies to which I devoted myself having produced only negative results, and dreading criticism that is only too justified, I have resolved to work in silence, until the day when I should feel capable of defending theoretically the results of my endeavors.”

  • What drove the man through all those decades of setbacks and obscurity? One biographer attributed it to his “inquiétude”—his drive, restlessness, anxiety. He just kept pushing himself to get better.

  • Late bloomers tend to be qualitatively different, possessing a different set of abilities that are mostly invisible to or discouraged by our current education system. They usually have to invent their own paths. Late bloomers “fulfill their potential frequently in novel and unexpected ways,” Karlgaard writes, “surprising even those closest to them.”

  • But such people can be great at paying attention to things that do interest them. The intrinsically motivated have a strong need for autonomy. They are driven by their own curiosity, their own obsessions—and the power of this motivation eclipses the lesser ones fired by extrinsic rewards. Extrinsically motivated people tend to race ahead during young adulthood, when the job is to please teachers, bosses, and other older people, but then stop working as hard once that goal is met. They’re likely to take short cuts if it can get them more quickly to the goal.

  • These students were hurrying to be good enough to get their merit badges, but not getting deep enough into any subject to be transformed. They didn’t love the process of learning itself, which is what you need if you’re going to keep educating yourself decade after decade

    We shouldn’t raise a generation of songwriters motivated by extrinsic motivation
  • Late bloomers often have an edge to them, a willingness to battle with authority. “Diversive curiosity.” Our culture pushes people to specialize early: Be like Tiger Woods driving golf balls as a toddler. Concentrate on one thing and get really good, really fast—whether it is golf or physics or investing. In the academic world, specialization is rewarded: Don’t be a scholar of Europe, be a scholar of Dutch basket weaving in the 16th century.

  • During these early periods, late bloomers try and then quit so many jobs that the people around them might conclude that they lack resilience. But these are exactly the years when the late bloomers are developing what psychologists call “diversive curiosity”—the ability to wander into a broad range of interests in a manner that seems to have no rhyme or reason.

  • Epstein notes that many of the most successful scientists have had diverse interests, and especially in different kinds of performing: Nobel Prize winners are 22 times more likely to spend large chunks of time as an amateur actor, musician, magician, or other type of performer than non-Nobel-winning scientists are. Epstein quotes Santiago Ramón y Cajal, the founder of modern neuroscience: “To him who observes them from afar, it appears as though they are scattering and dissipating their energies,” Cajal wrote, speaking of these late-blooming Nobelists, “while in reality they are channeling and strengthening them.”

  • Late bloomers tend to have a high tolerance for ambiguity, and can bring multiple ways of thinking to bear on a single complex problem. They also have a high tolerance for inefficiency. They walk through life like a curious person browsing through a bookstore.

  • Successful late bloomers combine this high need for cognition with a seemingly contradictory trait: epistemic humility. They are aggressive about wanting to acquire knowledge and learn—but they are also modest, possessing an accurate sense of how much they don’t know.

  • “Old artists are solitary,” Clark writes. “Like all old people they are bored and irritated by the company of their fellow bipeds and yet find their isolation depressing. They are also suspicious of interference.” The angry old artists fight back with their brushes. They retreat from realism. Their handling of paint grows freer.

  • “Old men ought to be explorers,” T. S. Eliot wrote in East Coker. “Here and there does not matter / We must be still and still moving / Into another intensity / For a further union, a deeper communion.” For some late bloomers, the exploration never ends.